Writer StatementI agree with John Gardner that the writing of fiction is the "creation of a vivid and continuous dream." To write, one enters this dream state and allows one's characters to inhabit one's being and to speak through one. My fiction influences are diverse and range from 19th-century traditionalists like Henry James, Edith Wharton and George Gissing to 20th-century modernists like James Joyce and Virginia Woolf and postmodernists like Donald Barthelme. The Decryption of Floriform X -- This short, illustrated fiction was written on Twitter circa 2008, each tweet numbered to keep track. The God of Wind and Air -- Unfinished sequel to Decryption, written collaboratively on Twitter. The Manuscript of Jacob Hall -- Why write fiction? What is it "for"? |
Saturday, June 20, 2009The Mirror: An allusion to a book unread by me
Websafe: Hello?
Mirror: Since I don't know who he is, I don't know if my outfits resemble his. W: Can you tell me what century he is from? M: How can I come to the end of this experience, which is unsatisfactory, with no end in sight? W: Does it really matter that much what century he is from? M: The door to the other world? W: That would be his time machine. M: Where are you going? W: I am going with The Time Traveller. M: I guess so. W: You don't believe in time machines, perhaps. M: I'm not the dancer, you are. W: You may not wish to engage in a dance to the music of time. M: That's a good place to start. W: It's an allusion to a book unread by me. M: Right in this restaurant. W: I can eat candy and chew gum here, but it's hardly a restaurant. M: That's more habits. W: They are not very good habits. M: The problem is when it isn't kept internal. W: Meaning the slow but continual increase in adiposity? M: I've had my eyes open all day. W: Looking at sufferers from the aforementioned condition? M: Hi. W: As in "Hi there"? M: That's true. W: You are greeting these people at the gates of their misfortune? M: Watch me step not across a footlight. W: These sufferers are onstage (perhaps metaphorically)? M: I want you to listen to a Richard Foreman interview. W: I have heard one or two of those, but I'm open to more. M: Unpleasantness is as justifiable as pleasantness. W: Sometimes, it's true, Foreman deals with unpleasant material. M: You've switched. W: I have switched personalities? M: Was that a ride to allow or a ride to end? W: I'd say allowing, expansion. M: Are you feeling overburdened? W: Yes, because I have to leave now and am trying to cram into a brief conversational space all I want to say. M: No, I would never predict anything bad for you. W: Then the end of the conversation will be good. M: You want me to talk today. W: Bye! M: Closing in 1 second ... Goodbye! Labels: chat robot |
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