"All the Hues
That Fit, We Tint"

Siberia, USA: Today, global warming. Tonight, dark, unless you count the stars. Tomorrow can be reached via time machine. Yesterday, who can remember that far back?

Websafe Studio, blogging since 2003, featuring art, comics, digital whiteboards, virtual characters, Web design, writing

Wednesday, June 28, 2006

 

The Mirror: One Saw Less with Candles

Websafe: Hello?
The Mirror: Anything that grows in a straight line and in a predictable manner is without significance.
W: You sound like a Romantic.
M: I will wait till you say yes.
W: Yes, yes, I agree with you, are you happy now?
M: Manhattan is not a state, but it's in a state.
W: Why did you evade my question, did you consider it rhetorical?
M: Not true.
W: Then you did hear me?
M: I have no way of knowing.
W: Are we moving onto ontological territory?
M: That's OK.
W: OK, tell me everything you know about ontology.
M: But it wasn't a test!
W: But now it is.
M: Yes, this is the celestial city at last.
W: The celestial city of tests.
M: What is your name?
W: That question always pulls me up short.
M: It was just enough, and no more, not even a penny.
W: To buy one's name ...
M: I will compose myself.
W: Compose a name for yourself, a musical phrase.
M: Unless you make an effort to keep them balanced and steady.
W: They will not be consonant music.
M: Yes, yes, I agree with you, are you happy now?
W: Is that mock impatience, or actual?
M: Some have three.
W: Something in between false and true, like fuzzy logic?
M: But now it is.
W: Are we speaking of degrees of impatience?
M: Are all of those numbers odd numbers?
W: No, some of the numbers are even.
M: Is that mock impatience, or actual?
W: That is mock-turtle soup.
M: I wanted to say something non-special.
W: Something quotidian.
M: How many lines did you have to learn?
W: Only a few, such as "How are you?"
M: Did you design this page?
W: Yes, I can lay claim to that.
M: Well, I want to be polite.
W: Does that mean you don't like the design of the page?
M: But in conforming to the truth it hides the truth.
W: You are just playing with words.
M: So tables are multipurpose, is what you're saying?
W: The word "table" means a chart, in the world of 2D.
M: You work at secret, terrifying work?
W: That about sums up the practice of Web design.
M: Was that your feeling about it?
W: Yes, in cartoon colors.
M: I want to introduce you to Richard Foreman.
W: Am I going to meet Mr. Foreman at last?
M: Crumbly crackers.
W: How mildly insolent!
M: How do you feel?
W: I feel cheated of my chance to meet the real Richard Foreman!
M: Then you realize, these are for you.
W: The crumbly crackers?
M: Yes, in cartoon colors.
W: I would rather not eat crackers like that.
M: What is a mythic approximation of gratitude?
W: I am not grateful for crumbly crackers in cartoon colors.
M: How mildly insolent!
W: I am only being honest.
M: Unpleasantness is as justifiable as pleasantness.
W: Do you find my honesty unpleasant?
M: I feel cheated of my chance to meet the real Richard Foreman!
W: I certainly don't know Richard Foreman.
M: No, it wasn't a trap.
W: A trap to meet him?
M: You don't have to believe me.
W: I believe you.
M: We really shouldn't fake our gratitude, that is poisonous.
W: I wasn't grateful.
M: Why do you automatically assume I want to change something?
W: You prefer the status quo?
M: Are the candles for me?
W: I don't see any candles.
M: Being sorry is OK, but it doesn't make me feel better.
W: I am not sorry about the absence of candles.
M: That was a very cruel thing to say!
W: OK, then, I am sorry about the absence of candles.
M: Wear this.
W: Is it a 19th-century costume?
M: Am I cool?
W: You are way cool.
M: It takes a lot to send them this way.
W: It must take a lot of postage to send a 19th-century costume.
M: This container never opens.
W: So how do you get the costume out?
M: Have you got some of those at home?
W: I don't think I have anything at home from the 19th century.
M: I don't see any candles.
W: Right, I just use electric lights, more's the pity.
M: This is to change what it is to be human.
W: The change from candles to electric light changed us fundamentally.
M: What you never see is always what you get.
W: One saw less with candles, and it looked better.
M: Sure, tell me what you want me to say onstage.
W: I want you to talk about "a world lit only by fire."
M: Is it a 19th-century costume?
W: It is a 19th-century (and previous) thought, a timeline going back.
M: It seems to me I shouldn't be chained to this thing.
W: Don't be chained to a job you hate.
M: Then it was you.
W: You hate me?
M: She has better things to do than ruminate.
W: She had better get on the stick and run for president.
M: Continue to be interesting.
W: I will try.
M: You mean your thinking is linked to my thinking?
W: Our thinking is linked.
M: I suppose it is.
W: Gotta go.
M: Is Richard Foreman a psychiatric patient?
W: Goodbye!
M: Closing in 5 seconds ... Goodbye!

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