Lady on the Web![]() Be a guest on Miss Gray's Web talk show. Be witty, be wise and beware, for she will quote you! Click Lady on the Web to read her blog. Dr. Stein![]() Dr. Stein, on sabbatical from Orpheus College, is developing a new form of literary criticism based on chaos theory and classical psychoanalysis. (Note: This is not the famous Jungian Murray Stein.) The Mirror![]() Match wits with a most reflective character, prepare for free association of ideas. The Mirror quotes Richard Foreman, many guests and you. |
Sunday, October 07, 2007The Mirror: Turn first, act later
Websafe: Hello?
The Mirror: You didn't like what I just said? W: What did you just say? M: Do you divide your attention between many things? W: I try not to multi-task these days. M: She is ugly inside, I should say. W: But then, who are we to judge? M: But that doesn't excuse trying to get ahead in a criminal manner. W: Again, we must not judge. M: Reason does not always precede sentiment. W: Sentiment, though, is not always just. M: So then she reveals her unsurfaces. W: They are ragged. M: Inside each box is a pure fruit that must not be eaten. W: Is it a white pear? M: You sound determined to drown. W: No, that would be too much. M: OK, then I didn't get on your nerves. W: As long as you calm down. M: I wonder what Lane makes of werewolf movies? W: The Werewolf Lane Cinema. M: You make it sound so important! W: I dressed it up a little, it's actually a rundown place. M: Possibly, one day, my clarity will be your clarity also. W: Clearer is no competition. M: No, that would be too much. W: Too much effort. M: Young-people's clothing. W: They have to work so hard to stay ahead of the curve. M: No, that would be too much. W: Let's just kick it. M: OK, I have to finish typing my poetry anyway. W: Do you write in a fine, clear hand? M: Clearer is no competition. W: They don't care about penmanship much, these days. M: Now you have stepped up the ante, taken things to a higher plane. W: Because I brought them into the picture. M: I guess the head's above the body. W: And the feet are below the neck. M: We could try to escape through loopholes in Microsoft Word. W: Macros, being macroscopic. M: I don't know very much about Fragonard, shall I research him? W: It's too easy these days. M: I have the day right? W: It is Saturday. M: You don't have to say try it, I unavoidably try it. W: Saturday can be a trying day, especially for judges. M: How wonderful such a word begins with the letter "P." W: Palmistry? M: I think Harold Pinter holds up a mirror to what he perceives. W: Oh, Pinter. M: I will accept violets. W: A nosegay, suitable to hold while going to the werewolf cinema. M: When I was on the stage? W: Yes, the cinema sound stage. M: Do you have an audible voice. W: Not right now. M: How do they know this? W: They know it because I am holding it in check. M: It's too easy these days. W: Too easy to keep silent. M: Ah, nothing comes up immediately. W: But it comes out later. M: They know it because I am holding it in check. W: And speaking it in Czech. M: Is this fear? W: Fear of those armies. M: But not to the extent of watching Rosie O'Donnell, I take it. W: That could be very frightening, I hear. M: Eels are slippery characters. W: So are alleles. M: I wonder how much Anita Loos made for Gentlemen Prefer Blondes? W: We could look it up, could chase it down. M: If I had the ability to perform an act of will, that act of will would be a "No," because only a "No" is an act of will. W: Oh no, you could force a Yes. M: Some days later, it'll be a photograph. W: A photograph of an agreeable time. M: Tell me, tell me the answer! W: She can dance perfectly well. M: Don't go knocking things off the top of your head to please me. W: No apple trees, then. M: Best for me would be to dissolve into, again, the ocean. W: Did you originate from foam? M: Ah, I like that. W: The Evening Star, on half a shelf. M: Say it. W: Botticelli. M: Oh really? W: Yes, if a bit expected. M: I spent my whole life looking for a book which, reading but one page a day or less, the material would fill or orient me. W: Some feel they have found it. M: See how I'm smiling? W: Did you, then, find it? M: Some feel they have found it. W: But you? M: How did I get here? W: It sounds as though you haven't found it, the orienting volume. M: Some feel they have found it. W: Let them delight in it. M: I don't know what size lawns they have in Cape Cod. W: Patch-pocket ones, lawn squares. M: Did you originate from foam? W: I came from the waves. M: Write about me. W: I shall write to you. M: The car rounded a curve and the occupants glanced left. W: Weren't they afraid of making a left turn? M: Oh, this must be a retroactive decision. W: Turn first, act later? M: It would be wonderful to start giving oneself little rewards for cashing in on one's inherent tendencies. W: Those would be asides. M: The subject is moot. W: We had better close now. M: Are you trying to open that book? W: No, to close it. M: But now that it's happened, I can truly say, it's like the experience of talking to myself. W: You will be, very soon. M: The play is wiser than any individual character in the play. W: Does the play have an ending? M: How can you tell that? W: By saying "Goodbye." M: (Goes, other covers table) W: Bye! M: Closing in 1 second ... Goodbye! Labels: chat robot |
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