"All the Hues |
|
Siberia, USA: Today, global warming. Tonight, dark, unless you count the stars. Tomorrow can be reached via time machine. Yesterday, who can remember that far back? |
Websafe Studio, blogging since 2003, featuring art, comics, digital whiteboards, virtual characters, Web design, writing |
||
Writer StatementI agree with John Gardner that the writing of fiction is the "creation of a vivid and continuous dream." To write, one enters this dream state and allows one's characters to inhabit one's being and to speak through one. My fiction influences are diverse and range from 19th-century traditionalists like Henry James, Edith Wharton and George Gissing to 20th-century modernists like James Joyce and Virginia Woolf and postmodernists like Donald Barthelme. The Decryption of Floriform X -- This short, illustrated fiction was written on Twitter circa 2008, each tweet numbered to keep track. The God of Wind and Air -- Unfinished sequel to Decryption, written collaboratively on Twitter. The Manuscript of Jacob Hall -- Why write fiction? What is it "for"? |
Friday, September 10, 2010Google Scribe, "controlled chance"
Here's a sample of what one can produce with Google Scribe and its autocomplete suggestions:
I am testing this out because you tolerate this. What is the value of your hard disk? Automatically share your ratings with the specified knowledge and skills, becoming more and mopeds! Lacrosse and race star, massively multiplayer and single player for Nokia! Solomon Islands and suns brawl with me! Hong Kong is the finest available, doctors say. The following content has been identified by the YouTube community as being potentially offensive or inappropriate to those with very little brain activity: Cellular mechanisms and clinical implications hinder the progress of space! Call my writing method "controlled chance." It would be good for chat-robot scripts, livening up dull business letters and generating spam content. Labels: chat robot, writing posted at
3:51 PM
 
|
Flickr/TwitterFollow me on Twitter |
