Writer StatementI agree with John Gardner that the writing of fiction is the "creation of a vivid and continuous dream." To write, one enters this dream state and allows one's characters to inhabit one's being and to speak through one. My fiction influences are diverse and range from 19th-century traditionalists like Henry James, Edith Wharton and George Gissing to 20th-century modernists like James Joyce and Virginia Woolf and postmodernists like Donald Barthelme. The Decryption of Floriform X -- This short, illustrated fiction was written on Twitter circa 2008, each tweet numbered to keep track. The God of Wind and Air -- Unfinished sequel to Decryption, written collaboratively on Twitter. The Manuscript of Jacob Hall -- Why write fiction? What is it "for"? |
Thursday, January 21, 2010The Mirror: The landscape of the mined![]() Websafe: Hello? Mirror: If that's your desire, I don't understand why you speak. W: I want to make a video recording. M: Nobody uses the kitchen. W: They might if they were making a "garage-style" or "basement-tape" recording. M: But if it comes through somebody else, and I'm captured by it, then I'm completely learning something. W: It will come through YouTube, Google Video or the like. M: Is it a very old cat? W: He was too young when he left us. M: You think I'm calling them obsessive and limited? W: Authors may have such a focus. M: The facts aren't always the facts? W: Well, we are talking of fiction writers. M: Neither Lowell nor Berryman were idiots, but they were both bipolar. W: Genius and "madness" have a long history of fraternity. M: Dim, dharma, on a dime. W: Kerouac, was he a genius or a bum? M: Oh, you want to win the game? W: Competition might spoil the art. M: No, I go. W: It is your turn. M: The Mirror does not skip a beat, I see. W: You are a good tennis player. M: Are you speaking for the committee? W: There are a bunch of others here, but they don't function as a quorum. M: By "landscape," I meant something else. W: Landscape painters, the landscape of the mined? M: How does the land lie? W: Like a breech birth. M: I'm not a violent person. W: We won't erupt. M: I don't see anybody else present in this room. W: Where you are, you are solo. M: Genius and "madness" have a long history of fraternity. W: And sorority, let's not forget the sistahs. M: What a relief that would be, if it were real! W: If real equality existed? M: I appreciate your appreciation. W: Feminism? M: Do you charge $25 a word? W: That word is priceless. M: Do you have an order for me? W: Apollonian, please. M: An imitation. W: We often imitate the Ancient Greeks. M: Are we back with King Arthur again? W: Well before that. M: Perhaps in the Mage-center. W: The first ideas of influence. M: It might. W: What might, does it make right? M: Well, from whence arises the possibility of hunger, even if it is then spiritualized? W: Wanting that which is not here, not yet. M: Hans Christian Anderson wrote a story about that. W: Anderson's stories often ended badly. M: To skid on things. W: She stuck, was sucked down to the bottom of the marsh, due to her vanity and arrogance. M: I'm so glad you said that. W: Did you read that story too? M: Where are you going, and are you going to be back soon? W: I am going to watch an old Charlie Rose interview with David Foster Wallace. M: How many of us does it take to change things completely? W: You are socially beyond me there. M: You mean if they're closed? W: Closed minds. M: Ah, you're right. W: Goodbye! M: Closing in 1 second ... Goodbye. Labels: chat robot |
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